For rental companies, integrators, and club builders putting up pixel rigs on a deadline — where the look has to land, sync on camera, and survive being struck and re-rigged on the next gig.
The challenge
Most stage and club rigs don't fail on the hardware — they stall on control. Plenty of crews can hang and map fixtures but aren't fluent in MADRIX or Art-Net setup, so the rig goes up and the show won't run. And event work means constant load-in and strike, so every fixture has to take the abuse and still hold tight frame-sync under camera.
How we solve it
- One control language across the kit — DMX512, Art-Net, and MADRIX — so bars, tubes, and panels map together as a single addressable surface.
- We program the effects remotely on your control PC, set up the Art-Net mapping, and stay on through commissioning — so the show runs even when the crew is new to the software.
- Road-built housings: rugged finishes, locking connectors, daisy-chained power and data, and IP-rated options for outdoor stages.
- Broadcast-grade timing holds frames in sync with no drift or flicker on camera.
- Spacing, length, and pixel pitch are configurable — the same kit scales from an intimate club grid to a stadium-scale backdrop.
What we've delivered
Delivered work spans a 1,500 m programmable strip ceiling for a Malaysian nightclub, a 600 m pixel-bar canopy for an Indian launch stage, and a 750-tube meteor ceiling with 3,500 globe lights for a US club — each built and QC-tested on our own floor, with samples for qualified projects.
